UPCOMING EXHIBITIONS Louise Alexander Gallery. One person exhibition. Paris- March, Porto Cervo, June-August 2009. 33 671 991 326 Tel info@louisealexander.com www.louise-alexander.com Art-St-Urban, "East Meets West." Lucerne, Switzerland. FALL 2009. Owner/ Director/ Curator: Gertrud Aeschlimann, gka@sculpture.org info@art-st-urban.com Jim Kempner Fine Art, One Person Exhibition New York City, USA. FALL 2009. Owner: Jim Kempner jim@jimkempner.com Director: Dru Arstark dru@jimkempner.com http://www.jimkempnerfineart.com Palazzo Vecchio. One Person Exhibition. Florence, Italy. Spring, 2010. Curator: Michelangiolo Bastiani michbastia@yahoo.it El Paso Museum of Art. Traveling One Person Exhibition. El Paso, TX--traveling to Mexico City, Spain, China. 2010. Curator: Christian Gerstheimer GerstheimerC@elpasotexas.gov San Antonio Museum of Art, Brown Foundation. "Psychedelic: Optical Visionary Art Since the 1960's." San Antonio, TX. 2010. Curator: David S. Rubin david.rubin@samuseum.org PREVIOUS EXHIBITIONS Art-St-Urban, Ongoing exhibition including "Lust and Desire." Lucerne, Switzerland. June 2006-ongoing. Owner/ Director/ Curator: Gertrud Aeschlimann, gka@sculpture.org info@art-st-urban.com Amarillo Museum of Art."Silence-Passion-Expression: the Sculptures of Carole Feuerman" Amarillo, TX. November 2008-January 2009. Executive Director/Curator: Graziella Marchicelli Marchicelli-g@actx.edu http://www.amarilloart.org Moretti Fine Art, London. "La Scultura Incontra La Realta" London, England. August-September 2008. Owner: Fabrizio Moretti, Moretti@morettigallery.com Director: Flavio Gianassi, London@morettigallery.com http://www.morettigallery.com/E_gallery_UK.htm Arte Communications, "OPEN2008, International Exhibition of Sculpture." Venice, Lido, Italy. August 28, 2008-October 14, 2008. BIOGRAPHY "All of my life, making art has been my passion. As I have experienced life, the forms that my work has taken have evolved and deepened. I want my art to inspire the viewer to look closely at what stands before them. It is not the fleeting moment that I want to capture, but the universal feeling caught in that fleeting moment. I want the viewer to complete the story when he looks at my sculpture, to reflect and feel touched. If I can create a work of art that can touch each generation, that would be my masterpiece." --Carole Feuerman Carole A. Feuerman is acknowledged as one of America's most important realist sculptors. Feuerman's selected honors include: First prize at the 2008 Beijing Biennale, Inclusion in the 2008 Olympic Fine Arts Exhibition, the Peabody Award, the Betty Parson Sculpture Award, and the Medici Award. Her work is in the collections of President Bill Clinton and Senator Hillary Clinton, Dr. Kissinger, President Gorbachov, and the Forbes Magazine Art Collection, among others. She has been included in shows at museums such as the Metropolitan Museum of Art in New York and the State Hermitage Museum in St. Petersburg. In 2004, she exhibited in "An American Odyssey 1945-1980" with the most prominent American artists of the post-WWII era. That same year, she had a comprehensive one-person show at CCNY, entitled "Resin to Bronze Topographies" (catalogue essays authored by critics John Yau and Donald Kuspit), followed by the installation of her work into the permanent collection of the prestigious Grounds for Sculpture. In March 2007, Feuerman led a workshop at the Metropolitan Museum of Art called "La Escultura, La Tecnica," organized by the museum's education curator, Rosa Tejada. In June 2007, Feuerman's solo exhibition, "By the Sea," curated by John T. Spike, opened at the Pavilion Paradiso in the Venice Biennale. That same spring she had a solo exhibition at Art-st-Urban Museum in Switzerland called "Lust & Desire", curated by Gertrude Aeschlimann (catalogue essays by Stephen C. Foster and Peter Frank). This past June, 2008, she had a solo exhibition at the Moretti Gallery in Florence, accompanied by a full color catalogue and film. In August, Feuerman exhibited in OPEN 2008, an International Sculpture Exhibition that coincided with the Venice Film Festival and was curated by Paolo de Grandis. Also this summer, she exhibited and won first place, best in show, in the Third International Beijing Biennale. Shortly after this, her sculpture "Olympic Swimmer" was installed in Beijing as part of the 2008 Olympic Fine Arts. It will travel until 2010 with the Olympic Fine Art Exhibition before permanent installation in the Forbidden City, Beijing. From November 2008 until February 2009, Feuerman had a traveling retrospective originating at the Amarillo Art Museum in Texas, curated by Graziella Marchicelli. In October 2009, "Gloria," one of Feuerman's early paintings, will be part of a traveling group exhibition at the San Antonio Museum of Art called "Psychedelic - Optical Visionary Art since the 60's", curated by David S. Rubin of the Brown Foundation. Also in the fall of 2009, she will also have a one person exhibition at the Jim Kempner Fine Art Gallery in New York. In the spring of 2010 she will have a solo exhibition at the Palazzo Vecchio in Florence, alongside a reproduction of Michelangelo's The David. Feuerman is also included in Harry Abrams newest coffee table book, "A History of Western Art," written by Antony Mason and John T. Spike. It covers everything from cave paintings to Leonardo da Vinci, Andy Warhol to Picasso and features Feuerman's "Grande Catalina" in the section called "New Media: New Directions." She is represented in New York City by Jim Kempner Fine Art Gallery, in Connecticut by Stephen C. Foster, in San Francisco by Scott Richards Gallery & Sculpturesite Gallery, in London and Florence by Moretti Fine Art Gallery, in France by Louise Alexander, in Asia by the Gotham Gallery, and in Switzerland by Art-st-Urban. --By Stephen Foster Selected Resume SELECTED ONE PERSON EXHIBITIONS 2009 ? Fort Belevedere & Sala D'Arme, Piazza Signoria, Florence, Italy ? Jim Kempner Fine Art, New York City, USA 2008 ? Amarillo Museum of Art, One Person Retrospective curated by Graziella Marchicelli, Ph.D., Amarillo, TX ? Art Shanghai, Shanghai, China 2007 ? "By the Sea", Venice Biennale, curated by John T. Spike, Concilio of Europeo dell'Arte, Giardini, Venice, Italy ? Art-St-Urban, "Passion & Lust", curated by Gertrude Kohler-Aeschlimann, Lucerne, Switzerland 2005 ? Queensborough Community College Museum, CUNY, Retrospective, curated by Faustino Quintanilla, Bayside, NY 2004 ? Columbia Basin College, Esvelt Gallery, Director Tom McClelland, Pasco, WA 2001 ? The Durst Organization, Lobby Gallery, Carole A. Feuerman: Presences, curated by Larry Powers, New York, NY 2000 ? Southern Alleghenies Museum of Art, From Studio to Foundry: Three Decades of Sculptures by Carole A. Feuerman, curated by Michael A. Tomor, Ph.D., Loretto, PA 1987 ? The Queens Museum, Carole A. Feuerman Sculpture 1981-1986, curated by Barbara C. Matilsky, Flushing, NY 1982 ? O.K. Harris West, curated by Ivan Karp, Scottsdale, AZ ? O.K. Harris West, curated by Ivan Karp, Scottsdale, AZ ? Art 10 '79 Basel Art Fair, MJS International, Basel, Switzerland 1980 ? Hansen Gallery, "Carole A. Feuerman: Sculpture, Sensuality & Spiritualism", Curated by Hansen, New York, NY 1979 ? MJS International, Basel Art Fair, Basel, Switzerland 1978 ? MJS International, Fort Worth, TX ? ART EXPO, NY Coliseum, New York, NY SELECTED GROUP EXHIBITIONS 2009 ? San Antonio Museum of Art, The Brown Foundation, Psychedelic: Optical Visionary Art Since the 1960's, Curated by David S. Rubin, San Antonio, TX 2008 ? Beijing Biennale, Beijing, China ? Olympic Fine Arts, Beijing, China ? OPEN2008, International Exhibition of Sculptures, Curated by Paolo de Grandis, Arte Communications, Venice, Lido, ITA 2007 ? OPEN2007, International Exhibition of Sculptures, Curated by Paolo de Grandis, Arte Communications, Venice, Lido, ITA ? Metropolitan Museum of Art, New York, NY 2005 ? 2005 Florence Biennale, "Catalina" Exhibition ? Jersey City Museum, "Shower", Jersey City, NJ ? Grounds for Sculpture, "Zeus & Hera II" , Fairgrounds Road ,Hamilton, N.J. ? Bass Museum, Lobby Installation, Miami Beach, Florida 2004 ? The State Hermitage, Spheres, St. Petersburg, Russia ? The Circulo de Bellas Artes, "The Modernist Debate", curated by Stephen Foster, Madrid, Spain ? The Centro De Arte de Salamanca, "The Modernist Debate", curated by Stephen Foster, Spain ? The Santilla del Mar in the Palacio de Caja Cantabria, "The Modernist Debate", curated by Stephen Foster, Spain ? ACA Galleries, Small and Everlasting, 19th, 20th, and 21st. century Painting, Drawings, and Sculpture 2003 ? Boca Raton Museum, Selections from the Permanent Collection, curated by George Bolge, Boca Raton, Florida ? Lowe Art Museum, Selections from the Permanent Collection, Miami, Florida ? Bass Art Museum, Selection from the Permanent Collection, Miami, Florida ? Rutgers Art Museum, Forging Memorial Art for Public Memory, New Brunswick, NJ ? Chelsea Museum, The Sonic Self, curated by Jolenta Gora-Wita, New York, NY, ? Southwest State University, William Whipple Gallery, International Works on Paper, curated by Edward Evans, Marshall,MN 2002 ? Ausstellungszentrum Heft: International Biennale of Contemporary Art: Austria, Huttenberg, Austria ? Queensborough Community College Art Gallery, curated by Faustino Quintanilla, Bayside, NY ? Southwest State University, William Whipple Gallery, Master Paintings and Works on Paper, Marshall, MN 2001 ? Biennale Internazionale dell'ARTE, Culture Counts, Fortezza da Basso, curated by Dr. George Preston, Florence, Italy 1998 ? Frederick R. Weisman Museum of Art, Pepperdine University, Selections from the Frederick R. Weisman Foundation, curated by Michael Zaikan, Malibu CA ? Riverside Art Museum, Illusions: Trompe l'oeil and Sleight of Hand, Riverside, CA 1997 ? Cleveland U. Art Museum, The Anxious Image: New Psychological Realism, curated by Robert Thurmer, Cleveland, OH ? Brevard Museum of Art and Science, Surfing the Wave, Melbourne, FL 1996 ? The Parrish Art Museum, The 35th Juried Exhibition, and Southampton, NY Jurors: Lisa Phillips, Curator, and Whitney Museum of American Art; Penny McCall; Jack Tilton, New York ? National Sculpture Society, Going For The Gold, Americas Tower, New York, NY ? Florida State University, The Florida National International Fine Art Competition and Tour, Tallahassee, FL 1995 ? Medici Center for the Visual Arts, Contemporary Realism '95, Philadelphia, PA, jurors: Gresham Riley, President, Pennsylvania Academy of the Fine Arts; Anne Fabbri, Director, Paley ? Cooperstown Art Assn., 60th Annual National Exhibition, Juror: Holland Cotter, Cooperstown, NY 1994 ? Hakone Open-Air Museum, The 2nd Fujisankei Biennale Exhibition, Kanagawa-ken, Japan 1993 ? Centennial Anniversary Exhibition of the National Sculpture Society, curated by Dr. Philip Eliasoph, Thomas J. Walsh Gallery, Regina A. Quick Center for the Arts, Fairfield University, Fairfield, CT ? Group Exhibition, ACA Galleries Contemporary, curated by Dr. Martin H. Bush, New York, NY 1992 ? Pepperdine University, Inaugural Group Exhibition, Frederick R. Weisman, Malibu, CA ? Isetan Museum of Art, Tokyo; Diamaru Museum, Umeda, Osaka; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, , Figures of Contemporary Sculpture (1970-1990): Images of Man, organized by Yomiuri Shimbum curated by Dr. Martin Bush ? Art Expo, Navy Pier, Chicago, IL ? Ft. Lauderdale Museum of Ar, Selections from the Collection, curated by Kathleen Harlman, Ft. Lauderdale, FL ? Texas Woman's University Art Gallery, Small Sculpture Invitational,Traveling Museum Tour, curated by Moira M.Geoffrion, Denton, TX ? Kalamazoo Institute of Arts, Small Sculpture Invitational,Traveling Museum Tour, curated by Moira M.Geoffrion, Denton, TX ? The Joseph Gross Gallery, Tucson, AZ, Palm Springs Desert Museum, CA ? Perc Center, SUNY, Long Island Focus on Art, Old Westbury, NY ? Texas Women's University Art Gallery, Denton, TX ? Tangeman Fine Art and Gallery, mall Sculpture Invitational, Traveling Museum Tour, curated by Moira M.Geoffrion, Sabin Convention Center, Cincinnati, OH ? San Francisco Airports Commission, The Right Foot Show, organized by Olympia and York 1986 ? Centre National Des Arts Plastique, Frederick R. Weisman Foundation of Art Collection Exhibition, Paris, Japan, Israel, Germany, Great Britain, Italy, Portugal, Scandinavia, Spain, and China 1985 ? The Museum of Holography, Illusion: Between Life and Art, curated by Rene Barilleaux, New York, NY ? The North Miami Museum & Art Center, The Real Thing, Exhibition Chairman Richard Shack, Miami, FL 1984 ? United States National Fine Arts Competition and International Exhibition Tour, Juried by Vittorio Quintavalle 1983 ? Tampa Museum of Art, Time Out: Sport and Leisure in America Today, curated by Genevieve Linnehan, Tampa, FL ? Bergen Community Museum, Women Artists, Paramus, NJ 1982 ? Heckshire Museum, Four II: A Shifting Focus, curated by Anne Cohen DePietro, Huntington, NY ? Fordham University Museum-Lincoln Center Campus, Gala Art Exhibit and Sale, Director James C. Finlay SELECTED HONORS AND AWARDS 2008 ? 1st Prize Winner, Beijing Biennale, Beijing, China 2007 ? Industry Service Award, Dress for Success, Jersey City, NJ 2006 ? Achievement Award, Cadillac & Hummer, 2nd Internatinal Biennale of Austria, Ausstellungszentrum heft, Hutenberg, Austria ? Review Panel, Annual State Arts Block Grants Program, County of Hudson, NJH 2005 ? International Medici Award, City of Florence, Italy 2003 ? Artist Showcase Award, The Healing Power of Art, Manhattan Arts International, New York, N.Y. 2002 ? Preliminary Winner at The 1st Guilin Yuzi Paradise International Sculpture Awards, Guangxi, China ? Prize of Honor Ausstellungszentrum Heft, Huttenberg, Austria ? Artists Showcase Award, I Love Manhattan Art Competition, Manhattan Arts International, New York, NY 2001 ? Lorenzo De Medicci Prize, Biennale Internazionale: Dell' Arte Contemporanea, Firenze, Italy 1995 ? The 2nd Fujisankei Sculpture Biennale, Hakone Open-Air Museum, Kanagawa-Ken, JPN 1984 ? First Prize, United States International Fine Arts Competition and Exhibition, Germany, France, Italy 1982 ? Amelia Peabody Sculpture Award, New York, NY 1981 ? Charles D. Murphy Sculpture Award, New York, NY ? Betty Parsons Sculpture Award, New York, NY SELECTED PUBLIC & CORPORATE COLLECTIONS The Hermitage Museum of Art, St. Petersburg, RUS Grounds For Sculpture, Hamilton, NJ Fort Lauderdale Art Museum, Fort Lauderdale, FL Appollon Art Research Foundation, , Mikhail Chemiakin, RUS Queensborough Community College Museum, CUNY, NY President Mikhail S. Gorbachov Foundation, Moscow, Russia Brandeis University, Waltham, MA V & S, Swedish Wine and Spirits Corp., Stockholm, Sweden Bass Museum of Art, Miami, FL The Malcolm Forbes Magazine Collection, New York, NY Lowe Museum of Art, University of Miami, FL Absolut Vodka Art Collection, Stockholm, Sweden Southern Alleghenies Museum of Art, Loretto, PA The Frederick R. Weisman Art Foundation, Los Angeles, CA The Tampa Museum of Art, Tampa, FL Good Samaritan Medical Center, West Palm Beach, FL Pepperdine University, Frederick R. Weisman Museum, CA Chrysler Corporation, Mr. Robert S. Miller, Detroit, MI Boca Raton Museum of Art, Boca Raton, FL Rouse and Associates, Columbia, MD Metropolitan Museum of Art, New York, NY Friedman Gallery at the Albright Museum, NY The Miami Children's Museum, Miami, Fl. Amarillo Museum of Art, Amarillo, TX Art-St-Urban, Pavilion E, Lucerne, CHE SELECTED PRIVATE COLLECTIONS President Clinton & Senator Hillary Clinton Mr. and Mrs. Burton Resnick, New York , N.Y. Dr. Henry Kissinger, River House, NYC Dr. Norman S. Jaffe, Miami, Fl Mr. Pierre Cornette de Saint-Cyr, Paris, Fr Mr. & Mrs. Alan H. Potamkin, Miami, Fl Mr.and Mrs.Douglas Durst, New York, N.Y. Mr. Alfons Van Hool, Brussels, Belgium Dr. and Mrs. Henry Foster, Wilmington, MA Mr. and Mrs. David Finn, NY Mr. and Mrs. Theodore Baum, NJ, Southampton, NYC Mr. and Mrs. William Mack, NY, Southampton Mr. JNA Van Caldenborgh, The Caldic Collection, Rotterdam Mr. and Mrs. Douglas Durst, New York, NY Mr. Jeffrey Steiner, Southampton, St. Tropez, NY Mr. and Mrs. Caroline Goldsmith, NY Ms. Marilia Gabriela Baston de Toledo Cochrane, Brazil, NYC Mr. and Mrs. Allen Safir, Bedford Hills, NY Mr. and Mrs. Norman Braman, PA, Miami, Fl Mr. and Mrs. Richard Shack, Miami, FL Mr. Mihail Chemiakin, Hudson, NY Mr. and Mrs. Sid Singer, Mamaroneck, NY Mr. Douglas Durst, New York, NY Mr. Morton Swinsky, New York, NY Ms. Loreen Arbus, Los Angeles, CA Mr. & Mrs. Hank Lane, NY, FL Mr. & Mrs. David Finn, NY CURRENT PROFESSIONAL MEMBERSHIPS National Women Caucus for Art, New York, NY International Women's Forum, New York International Sculpture Center Who's Who in the World EDUCATION Metropolitan Museum of Art Hofstra University Learning through the Arts: Guggenheim Museum Temple University Americans for the Arts School of Visual Arts, Bachelor of Fine Art Bass Museum of Arts BOOKS ? Carole Feuerman: La Scultura Incontra La Realtà. Caioni, Gabriele, curator. Moggi, Alessandro, photographer. (exh. cat. Moretti Gallery, Italy, 2008). Edizioni Polistampa, 2008. ? A History of Western Art: From Prehistory to the 20th Century. Mason, Antony. Spike, John T, ed. New York: Abrams Books for Young Readers, 2007. p. 122. ? Contemporary Art, Images and Critic. Maria Elena Troncoso, ARTECultura, 2007 ? At Home with Art: How Art Lovers Live with and Care for Their Treasures. Estella Ellis, New York, 2006 ? Austria Biennale. Villo Waldhos. 2006. ? An American Odyssey 1945/1980. New York: Circulo De Bellas Artes. I. Foster, Stephan C. II. Siedell, Daniel A., III. Milman, Estera. IV. Yau, John. V. Mink, Janis. 2005. ? An American Odyssey 1945/1980: Debating Modernism, Stephen C. Foster, New York, 2005 ? Biennale Internazionale Dell?Arte Contempotanea, Quinta Edizione. Arte Studio, 2005 ? Living Artists, Edition 13. Art Network Press, 2003 ? 21 Contemporary Artists of the 21st Century. Carlos Giudicessi, Presented at Lineart 2003 International Art Fair, Belgium 11. ? Biennale Internazionale Dell?Arte Contempotanea, Quinta Edizione. Arte Studio, 2002 ? Carole A. Feuerman :Sculpture, essays by Finn & Munro. Hudson Hill Press, 1999 ? Who's Who in American Art. Alison McGowan, 25th Edition, 1999 ? Carole Feuerman Interview. Tawny Cosmetics Book, July 1997 (Japan) ? Who's Who in American Art: 1997-1998, Marquis p. 1515 ? Who's Who in American Art: 1993-94, RR Bowker, p. 1473 ? Sculpture--Technique, Form, Content: Second edition. Worchester, Davis Publications, 1994 ? Figures of Contemporary Sculpture (1970-1990): Images of Man. Martin Bush, Isetan Museum, Brain Trust, 1992 ? Who's Who in American Art. Jacques Cattell Press, 1986 p. 1292. ? Sculpture Techniques - Form, Content. Williams Arthur, Davis Publications, 1989 ? Artists Observed. Diane Ketchum, Brams Publishers, Inc., 1986 ? Contemporary American Women Sculptors. Virginia Watson Jones, Oryx Press, Phoenix, AZ, 1986 ? The Frederick R. Weisman Art Collection, vol. 2. Los Angeles: The Frederick Weisman Foundation, 1985 ? Showcase of Artists. Fine Original Works of Art, I.B. Rupert Inc. ? Sculpture Brought Stunning Life. National Book Network, Spring-Summer, p.35 ? The Artists Bluebook: (AskART). Lonnie Peierson Dunbier, North American Artists, p. 450 ? Davenport's Art Reference. Ray Davenport, p. 2047 ? Artists Observed. Harvey Stein, New York: Harry N. Abrams Publishers, Inc. ? Dictionary of American Sculptors: 18th Century to Present. Glenn Bopitz, p. 656 Press. BROCHURES & CATALOGUES 2008 Beijing International Art Biennale, Guide Book, p. 26, Beijing, China 2007 Art-St-Urban, Brochure. Moderm Art Advertising, Switzerland Metropolitam Museum Brochure. New York Scott Richards Contemporary Art Cataloge, September, p. 7,San Francisco, CA Old Masters to Contemporary: Arcade Fine Art Catalogue. New York, NY 2006 EROS 2006, 2° Festival of Art in CARRARA 2005 Spring/Summer 2005 Exhibitions. Grounds For Sculpture Catalogue Resin to Bronze Topographies. Faustino Quiontanilla, QCC Art Gallery, Queensborough Community College 2004 Carole A. Feuerman, Erotic 1976-83. Janos Gat Catalogue, New York, NY 2003 Eutherpe. Catalog/Magazine, produced by Margarita Morais The Artful Home: Furniture, Sculpture and Objects. Guild Publishing 2002 Southern Alleghenies Museum Of Art Brochure produced by Auxiliary Sculpture by Carole Jeane Feuerman. Catalogue produced by Gallerie Ninety-Nine, Miami, FL 2001 Carole A. Feurman: Sculpture. Dena Merriam and Eleanor Munro, Hudson Hills Press 2000 Showcase of Artists. Fine Original works of Art, I.B. Rupert Inc. From Studio to Foundry: Three Decades of Sculpture by Carole A. Feuerman. Southern Alleghenies Museum Of Art, PA Thought And Images. Susan Ford Wilshire., Ruder Finn Flash Report 1996 Combined Talents: The Florida National. Florida State University, Tallahassee, FL. 1995 The 2nd Fujisankei Sculpture Biennale. Hakone Open-Air Museum, Kanagawa-ken, Japan 1993 National Sculpture Society Centennial Exhibition. Quick Center for the Arts, Fairfield, CT. 1992 Heroism. Peconic Gallery, Riverhead, NY. Sculpture of the Nineties. Fashion Institute of Technology, New York, NY. 1991 The Family. Peconic Gallery, Riverhead, NY. 1987 Works by Women. Tangemann Fine Arts Gallery, Cincinnati, OH. Carole J. Feuerman: Sculpture 1981-86. The Queens Museum, essay by Barbara Matilsky. Flushing, NY. The Art of the Figure. Ninety-Nine and Gallery Henoch, Florida and New York, NY. 1986 The Real Thing. Bruce Heilander, North Miami Museum and Art Center, Miami, FL. 1985 Festival '85: Art Now. The Ackland Art Museum, Chapel Hill, NC. 1984 Art Collecting: A View from the 1980's. Lowe Art Museum Miami, Miami, FL. 1983 Time Out: Sport and Leisure in America. Tampa Museum, Tampa, FL. 1981 Four II: A Shifting Focus. The Heckscher Museum, New York, NY. 1979 Woman's Art Gallery Catalogue. Anniversary Show, Best of '79. MAGAZINES & NEWSPAPERS Liu Fang. "Sport Meets Art in Beijing," CCTV.com, July 27 2008. http://www.cctv.com/program/cultureex press/20080727/101762.shtml An Si Yang. "Une exposition sur le sport a Beijing," CCTV.com, July 27 2008. http://www.cctv.com/program/journaldelacul ture/20080727/101138.shtml Elena Olivi. "Open 11. Esposizione Internazionale di Sculture ed Installazioni - Venezia Lido - Isola di San Servolo ," Comunicato Stampa, July 21, 2008. "Week in Photos," The New York Post, July 13, 2008. http://www.nypost.com/photos/galleries/news/worldnews/pp_20080713_week_in_photos/photo13.htm "Picture of the Day," The Telegraph, July 8, 2008. http://www.telegraph.co.uk/news/picturegalleries/2268251/Pictures-of-the- day-8-July-2008.html "Picture of the Day," The New York Times, July 8, 2008. http://www.nytimes.com/slideshow/2008/07/08/nytfront page/20080708POD_11.html Pattin, Sandra, "Conversations with Carole Feuerman," C-Head Magazine, Issue 10, 2008. Teresa Favi, "Scolpire la vita: Da Manhattan a Firenze. Le statue umane di Carole Feuerman", Firenze, Summer 2008, p.174-177. "Sculture: il realismo della Feuerman a Firenze", Giornale di Sicilia, June 23 2008, p.18. "La scultura incontra la realta Monografica di Carole Feuerman", il Corriere di Prato, June 23 2008, p.14. "La scultura incontra la realta Monografica di Carole Feuerman", il Corriere di Firenze, June 23 2008, p.14. "La scultura incontra la realta Monografica di Carole Feuerman", il Corriere della Versilia, June 23 2008, p.14. Eva Desideri, "Vestiremo all'africana e l'uomo si mette il burka", La Nazione, June 20 2008, p.30-31. "Carole Feuerman ritrae Bisol," Associazione Wine Community, June 19, 2008. "Arte, a Firenze l'americana Feuerman", Avvenire, June 19 2008, p.29. "Carole Feuerman la scultura e la realta", la Repubblica, June 19 2008, p.16. Letizia Cini, "La scultura incontra la realta ritratti di star firmati Feuerman", La Nazione, June 18 2008, p.37. Letizia Cini, "Vestiremo all'africana e l'uomo si mette il burka", La Nazione, June 18 2008, p.37. Eva Desiderio, "Eva Longoria, una casalinga disperata tra i dandy", il Resto del Carlino, June 17 2008, p.34. Eva Desiderio, "Eva Longoria, una casalinga disperata tra i dandy", il Giorno, June 17 2008, p.34. "Carole Feuerman in Art Shanghai," Xinmin (Chinese Newspaper), April 16, 2008, p.A18. www.xinmin.cn. Edward Rubin, "Venice: Open 10", Arte Communications News, February 27 2008. Edward Rubin, "Open 10", artUS, New Year 2008, p.9. "Biennale at the Bar", LM Review, November 2007, p.5-6. Yujel Akdeniz, "The Worlds Finest Visual Artists", Art and Culture, Winter 2007/08, p.15. Yujel Akdeniz, "Carole A. Feuerman - Sculptor", Art of the Times, Holiday 2007, p.29. Luciano Caramel, "La Scelta di Sophie", Vernissage Il fotogiornale dell'arte, August 2007, p.4. Edward Rubin, "Miami Heat Wave (The Art Basel Miami Beach Story)," Art Fairs International, May 2007, p. 34. Genaro Molina, "In the Eye of the Collector", Los Angeles Times, Calendar, January 2007, p.E33. Edward Rubin, "Notes From Art Basel, Miami Beach: List of Top Art", New York Arts, December 2006. "Karnten Als Kunstzentrum", Die Brucke, September 2006, p. 10. Edward Rubin, Art Fairs International,Vo. 2#3/4, 2006, "Transferring the Slopes of the Florence Biennale", p.10. "Catalina", Art in America, 12/2006 Edward Rubin, 5th Florence Biennale,Contemporary (Issue 81) Christopher Hann, "Return to ?Catalina?", Art & Antiques, 12/2005, p.120. Dan Bischoff, ? Art Springs a New at Grounds for Sculpture?, Star-Ledger, p.9. Beba Marsano, ?Firenze, La Fortezza Dell?arte?, Tuttoturismo, 12/2005, p. 26. ?Firenze, La Citta del Rinascimento Si Rivest de Optical Art?, Viaggiesapori, 12/2005, p. 177. Elena Brunoli, ?Appuntamenti. Firenze. La Fortezza Dell?Arte?,Sommario, 12/ 2005, p.26. ?Arte: Christo a Quinta Biennale Contemporanea a Firenze?, Cronaca, 12/2005, p. Victor Forbes, "Carole Feuerman's Triumphant Return to Florence Biennale", Fine Art Magazine, 2005, p.5. Dan Bischoff, "City Museum Installations", The Sunday Star Ledger, 6/2005, p. 21 Dan Bischoff, "Contrasting Styles Mark Jersey",The Sunday Star Ledger, 6/2005 Dan Bischoff, "Art Springs Anew at Grounds for Sculptures", The Sunday Star Ledger, May 22, 2005. Ellen B. Cutler, "An Abundance of Life, The Morton Swinsky Collection", Sculpture Review, Spring 2005, p. 26. John T. Spike, "In the Swim: Carole Feuerman's Sculpture Stay in Shape", Art & Antiques, May 2005. "Resin to Bronze Topographies Feuerman Sculptures", CUNY Press, May 2005. ?Art and Sports Come Together at Gosman?, The Brandeis Reporter, February 17, 2004, p.3. "La Odisea Americana? Plasma La Esencia de los Artistas del Singo Pasad", Diario de Burgos, April 14, 2004. "Fundacion Salamanca, Con el Arte Contemporaneo", La Gaceta, April 14, 2004. "La Muestra La Odsea Americana? Expone Obras de Artistas dela Segunda Mitad del SingoXX", La Rioja, April 14, 2004. Mila Trenas, "La Mejor Creacion de Estados Unidos seExhibe en el Circuro de Bellas Artes", Diario de Mallorca, April 2004. "El Ayuntamiento LLeva a Madrid al Arte Norteamericano del SiglopXX", El Ideal Gallego, April 14, 2004. "LaOdisea Americana?Reune Mas de 100 Obras", La Voz de Asturias, April 14, 2004. "Un Visitante Mira Con Curiosidad", El Dia, April 14, 2004. Peter Schjeldahl, "Going On About Town", The New Yorker, 11/2004. Holland Cotter, The New York Times, November 2004. Warren Woodberry, The Daily News, October 2004. Carlos M.Giudicessi, "21 Contemporary Artists For The 21st Century", Barcelona, Spain, December 2003, p. 31-33. Ashley Buford, "Eclectic Collector: Universal Appeal", IN New York, March 2003. Victor Bennett Forbes, "Next on View at Blue Poodle Gallery", Fine Art, Spring 2003, pp.49 - 53. Sorah Shapiro, "A New Cultural Center", Newsday, November 15, 2002. Eggenberger, "Die Kultur Der Roma Ist New 2U Entdecken", Karntner, September 4, 2002, pp. 24-25. Professor Harry Jeschofnig, "Heft als Stein indie Zukwnft Schleuderm", Karntner, August 29, 2002, pp. 26-27. Erwin Itirtenfelder, " Austrobiennale in Trauten Ambiente", Kaltur, August 29, 2002, pp. 1-57. "Howling with the Blues", Southampton Press Blue Poodle Gallery, August 15, 2002, p. B7. Southern Alleghenies Museum Of Art, brochure produced by Auxiliary, 2002, p. 2 "Carole A. Feuerman: I would Never Give Up Art", Tarssa Yazdani, The Italian Tribune, Spring 2002 p. 46-47 "Two Artists Reflect Horrors Of WTC Attack", Jason Notte, The Jersey Journal, 12/27/01, p. Cover - 5A Art in America, Sculpture Issue. Feuerman Studios Inc., November 2001, p. 70 "The Scene", Patrick McMullan, New York Magazine, Feb 26, 2001 "Journey Through Art", John Rucosky, The Tribune-Democrat (Style. Section), 09/28/2000. Cover. "New York Artist Sculpts Peace, Beauty and Form", Linda T. Gracey. 04/20/00 "Marble, Resin, and Bronze" by Linda T. Gracey, 04/20/00 "Lots of Art", Patrick Farrell, Miami Herald, 01/16/00 "The Queen Of Figurative And Her Fragmented World", Art Tribune, January 2000, Cover, p. 4-7 "Artist Who Go Beyond Living Color", Cate McQuaid, 3/11/99 "Experiments Light Up International Art", Jeff Bradley. The Denver Post 08/08/99 "Sculpture, Carole A. Feuerman", The Bookwatch-The Artbook Shelf, August 1999 p. 11 "A Realistic Look At Fine Art ", Amy Patton. - The Southampton Independent, September 1999 "Art Space Show Focuses On Nude Human Figure", The Coral Gables Gazette, December 1-7 99, p. B-12 "Carole A. Feuerman: Painting With Fire" by Louise Weinberg, Fine Art Magazine, Spring 99, p. 63 "Art Exhibitions", The Boston Globe, The New York Times, Sunday, 06/22/97, p. 18. "Carole Feuerman: Sculptures" Gallery Guide, May 1997-West Coast "In The Sprit Of The Figure", Joy Mayo, Sculpture Review No. 2, NSS Celebrates the Olympics, Fall 1996. "On Record", Mary Cummings, Sculpture, March 1998, p. 17-I. "What Is An Artist's Style, And Is It Her Own?", The New York Times, Sunday, 11/23/97, p. 3. "The War Of The Super-Realists", Mead, Julia C., The East Hampton Star, 08/14/97, p. III-1, and III-7. "Look A Like Statues Court Trouble" Richard Johnson Page Six, The New York Post, 08/11/97, p. 8. "RVS's Super Realistic Show", Staff writer, The Southampton Independent, 06/25/97, p. B-13. "Art Exhibitions" The Argonaut-Marina del Rey, 05/15/97, p. 21. "Turning Resin Into Gold" LEADERS Magazine, Linda Marx, April, May, June 97, Vol. 20, No. 2, p. 250-251. "Picture Perfect" Florida Design, Staff writer, winter, 1996, Vol. 6, no. 3, p. 207. "Robert Kidd Celebrates Big Time" Colby, Joy Hakanson, The Detroit News, 11/28/96, p. Z-4. "Group Shows at RVS and Benson", Robert Long, The Southampton Press, 08/29/96, p. B-11. "Art Beat", Renee Dahl, The East Hampton Independent, 07/24/96, p. B-16 "American Sculpture Exhibition", Staff writer, Westword, 05/04/94. "Galleries Open Doors In South Berkshire", Darienne J. Hosley, The Berkshire Eagle, Sunday, 06/05/94. "Loring Gallery Opens with Reception Saturday", Bernard Drew, The Berkshire Courier, 05/26/94. "Scolpiti Vivi", Pascale d'Exea, Quadri & Sculpture, Settembre, 1993, p. 15-16. (Italy) "First Show of Siblings Who Were Indeed Rivals", William Zimmer, The New York Times, 05/20/93, p. 16. "Ung Konst Fran USA Och Sverige", Anders Nilsfors, Torsdagen, 06/07/93, p. 15. (Sweden) "National Sculpture Society Cites Winners", Fairfield Citizen-News, 05/16/93, p. 28. "Ekerum", Borgholms Kommun, Tisdagen 05/15/93, p. 9. (Sweden) "Small 'Art Park' at Fairfield U. Through July", Pamela Guthman, Connecticut Post, Sunday, May 1993, p. G4. "National Sculpture Society To Present 100th Anniversary Exhibition", Campus Currents, 05/11/93. "The Real Thing", Tao Woolfe, The Sun Sentinel, 05/09/93, p. 8. "Waterworks at Hokin Gallery", Jan Sjostrom", Palm Beach Daily News, December 1992, p. 13. "Seeing it All, or Six Weeks in Manhattan Galleries", David Bourdon, Art in America, September 1992, p. 58. "Art News from New York", Cosmopolitan, September 1992, p. 37. (Japan) "Carole Jeanne Feuerman--World Fax Interview", Takemoto, Tak, Popolo, July 1992, p 175-76. (Japan) "A Tribute That Felt Like A Roast", Goodwin, Betty, Los Angeles Times, 06/01/92, p. E-3. "Sculpture Of The '90's At Gallery Henoch", Staff writer, Antiques and the Arts, 05/01/92. "Up Front", COVER, Staff writer, May 1992, p. 3. "Larkin Gallery Is Unique", Ranch and Club Magazine, December 1991, p. 5. "Group Shows at Krasdale's Two Galleries", Raynor, Vivien. The New York Times, 12/22/91, p. 16. "Absolut Roux", Stephen Vincent, Art and Auction, October 1991, p. 98-102. "Lofty Ideas", Jan Tyler, New York Newsday, 07/07/91, p. 22-23. "Absolutely Ingenious", Christie Brown, Forbes, 04/15/91, p. 128-129. "Carole Feuerman Sculpture...", Staff writer, Brutus, 03/15/91, p. 11. (Japan) "Unique Resin/Oil Sculpture Is Featured In Vail Gallery", Audrey Hudson, Vail Daily, 12/21/91, p. 8. "Highest Praise, Prices Accorded Lifelike Sculpture", Steve Rosen, The Denver Post, 12/31/90, p. C1. "Rocky Mountain Christmas Highlights Art in Vail", Donna Michaels, Art-Talk, December 1990, p. 15. "When Imitation Life is Real Art", Jan Tyler, New York Newsday Magazine, November 1990, p. 28. "Art Markets Boom...", Alexandra Peers, The Wall Street Journal, 11/15/90, p. 1. "Award Winner Showcase" Art Calendar, November 1990, p. 39. "State of the Art Affair", Donna S. Mullinix, The Indianapolis Star, 10/13/90. "Absolute Vodka Truck...", Staff writer, Brutus, 06/15/90, p. 85. (Japan) "Advertising in Motion", Claire McCarthy, The Robb Report, June 1990, p. 85. "Frozen in Time: Sculptures by Carole Jeane Feuerman", Staff writer, People in Camera, May 1990, p. 16-25. "Absolute Promo Involves New Sculpture", Staff writer, Art Business News, March 1990, p. 145. "Soho, The Birthplace Of Modern Art", Staff writer, Monthly Art International, February 1990, p. 55. (Japan) "The Year in Sex", Staff writer, Playboy, February 1990, p. 134. "Carole Feuerman", Staff writer, Equisse, Winter 1990, p. 3. (Japan) "Carole Feuerman's Sculpture", Staff writer, ELLE, December 1989, p. 26. (Germany) "Absolute Marketing", Evan McGlinn, Forbes, December 1989, p. 262-6. "Notes on Giving", George Plimpton, Fortune, November 1989, p. 25-35. "Vera Anzi Finta Sette", Mario Perrazzi, Corriere Della Sera, July 1989, p. 98-106. (Italy)"Snapshots", Staff writer, LIFE, September 1989, p. 10. "Women in the Arts", The Women's Record, Sidon, Weslea, April 1988. "Idyll Pleasures", House in the Hamptons International, June 1987, MannKenny, p. 24-31. "New TVC Display Features Works by Women", Joe Zeleznik, The News Period, 04/10/87. "Small Sculpture Invitational: Works by Women", Owen Findsen, The Cincinnati Enquirer, 04/03/87, p. H4. "Carole Jeane Feuerman's Innovative Sculptures", Staff writer, Antiques and Collectibles, February 1987. "Queens Museum Presents Carole Feuerman Innovative Sculptures", Ledger/Register/Journal, 02/26/87, p. 26. "Picks and Pans", Ralph Novak, People, 05/05/86. "Sculpture in Compromising Positions", Judy Fippinger, North Shore Magazine, Winter 1985, p. 28-29. "Art Imitates Life", Candace Barbot, North Miami Sun Reporter, 06/05/85 "Double Take", Robin Shields, The Miami Herald, 06/06/85 "A Visit with Carole Jeane Feuerman, Sculptor-Artist", Joanna Canadeo, Sunstorm, June 1985, p. 20. "Sculpting a Living Space", Margaret Malone, Long Island Newsday Magazine, 04/28/85. "Figure Painting Thrives", Luba Glade, The Beholder, January 1985. "Festival '85: Art Now", Dean King and Sarah Raper, The Chapel Hill Newspaper," 04/22/84, p. 1-3 "Gallery Profiles", Diane Lundegaard, Sunstorm, October 1984, p.8. "Artists Paintings Revive Super Realism", Staff writer, Daily Progress, 09/07/84, p. 23. "Three Realists", Daily Progress, 09/07/84, p. 23. "Bergen Community Museum", EileenWatkins, The Newark Star Ledger, 09/14/84. "Time Out: Sport and Leisure in America Today", Tampa Florida Museum News, Nov. - Dec. 1983. "Art for the Pure Sport of It", Charles Benbow, St. Petersburg Times, 12/11/83, Section E. "Fragmented Sculptures", Staff writer, The Phoenix Gazette, 11/10/83, p. NE-1. "Sculpture by Carole Feuerman: One Woman Exhibition", Sindin Galleries Quarterly Update, Winter 1982. "Gallery Odin", Malcolm Preston, Long Island Newsday, 1981. "Heckscher Museum", Malcolm Preston, Long Island Newsday, 09/03/83. "Heckscher Museum", Jeane Paris, Long Island Newsday, 08/28/81. "Focus on Exhibit", Staff writer, The Observer, 08/06/81. "Sculptor Feuerman Creates a New Realism", Susan McNierney Roslyn News, 08/06/81. "Cast Paper Techniques", Malcolm Preston, Long Island Newsday, 06/01/81. "Portfolio", James M. Saslow, The Advocate, 10/02/80. "Evocative Images", Heidi O'Beil, Artspeak, 05/22/80, p. 8. Ernets Leogrande, "All in the Eye of Beholder," NY Daily News, September 11, 1976. QUOTES ?I like the idea that my work inspires the viewer to look closely at what stands before them. I want the viewer to complete the story.? Carole A. Feuerman, 2005 ?Feuerman?s figures seem capable of thought. They evoke an inward life, which invited the viewer?s speculation as well as signals the distance between them and us. We can never know what they might be thinking. And perhaps that?s the point.? John Yau, Art Critic, Poet, Essayist, Editor, and Professor ?Feuerman?s is a vein of realism so far untapped; a significant intersection of classical illusion, unforgiving realism and eloquently silent objectivity. What we see is a common grounds of abstraction; a confluence of realisms that render ?classicism,? ?realism? and ?non-objectivity? as incidental and merely exhibited properties of that work.? Stephen C. Foster, Expert in Early Twentieth Century, European, and mid-twentieth Century American Art, Renowned Art Historian, Author, and Curator ?Each and everybody is meticulously rendered, and alive with urgent feeling, even when it is no more than a fragment ? a torso or foot, a face of elbow ? symbolize of a grander femininity, indeed, of the eternal feminine. Feuerman clearly knows the female body from the emotional inside as well as the physical outside.? Donald Kuspit, Renowned Art Critic, Author, Editor of Art Criticism, and Teacher ?Carole Feuerman?s art touches on a wide variety of personal emotions, centered on the human figure, and mainly women, Feuerman is indisputably the American doyenne of realistic figure sculpture.? John T. Spike, Noted Art Historian of Italian Art of the Fifteenth through the Eighteenth, Director of the Florence Biennale, and Author ?Her creation performances are reminiscent of Jackson Pollock?s gestural paintings, yet they bring the fourth dimension of time into the three dimensional forms.? Lisa Paul Streitfeld, Art Critic, Curator, Artist ?Feuerman?s Fragmentary sculptures grow on one as they are meant to do. She chooses familiar themes and movements. Feuerman?s art allows and encourages flights of fantasy, and involve us with an intimacy unexpected at first glance? Margaret Kelly, Curator, the FORBES Magazine collection ?Feuerman?s bronze castings are a brilliant example of deconstruction/reinvention of the perennial classical/contra classical dialogue. Carole A. Feuerman?s recent work gives contemporary meaning to the ancient adage, ?out of the fire comes life.? George Nelson Preston, Ph.D. Department of Art CCNY/CUNY, 1999 ?It can be said that the true measure of an artist?s credibility is how clearly the arc of her work parallels the trajectory of her life. Like Picasso or Pollack, as the artist matures and develops mastery of craft, the work itself becomes more simplified or abstract.? Tarssa Yazdau, Writer & Artist ?Feuerman transforms her personal optimism and pain into her sculpture. Her work has great magnetism and demands interaction between the artist as a storyteller and the viewer. We reflect and are transformed by her work.? Faustino Quintanilla, Director of QCC Art Museum / CUNY ?Carole Feuerman knows there is gloom in the world, but she wants the viewer to share her celebration of life. It is the life that she breathes into the pieces after months of work that make them exist. And exist they do, as important contemporary sculptures that will prove themselves over the years?. Richard Shack, Emeritus Board Chairman of the Museum of Contemporary Art, Los Angeles, Founder of NMMA, Board Member of Whitney Museum, 100 top art collectors